by Dr. Elisa Dong
Analog tools are often overlooked these days as more and more of our work shifts towards the digital space and collaboration shifts towards being hosted on the cloud. Most of this isn't necessarily bad per se, and typing is certainly faster than writing unless you know shorthand. I do feel like the act of writing is one best not forgotten, however.
Who am I to tell you what to do? My only credentials are that I love stationery. Functional, pretty, and just plain cool. Stationery will always excite me. Oh, and I used it extensively throughout my current academic career and attribute much of my successes of writing things by hand. If you like lists, there are lists in this blog post.
Perhaps it is best to start off with a side story regarding my love of note taking and documentation. My first ever purchase with my paltry $5 allowance was a notebook. It was spiral bound and the covers were made of a stiff foam. The cover had some sort of tropical bird on it made of overlapping pieces of foam. It might even had had a googly eye or two attached to the head. As you can imagine, it was immensely exciting to me. I purchased this notebook as guided by my parents to keep track of what I spent my allowance on, or note down when I received more. To this day, I still tally up my purchases by hand, though I'm certainly less vigilant than I used to be. Somehow, the number of my expenditures has also gone up.
You might have not had the same experience of looking over your numbers and squishing a foam notebook, but I'm sure there will be something you can care about when it comes to stationery.
Here's another, more recent story for you. During my defense last week, I asked the examination committee to pause right before the exam actually began in earnest (sorry Scott!) so I could grab my notebook.
"I wanted to take notes," I explained.
"Don't worry," said one of my supervisors, "We're taking notes."
And so they were, it was meant to be reassuring and a reminder that I would get a summary of requested feedback afterwards. In the meantime, I didn't have to simultaneously take down the questions and try to answer them.
"I wasn't (worried), I just think better with a pen in my hand."
This is true! At least for me, I find my focus instantly sharpened when I have a writing implement in hand. I feel somewhat badly for those who do online exams now. Perhaps their brains have worked out the association with typing into blank boxes and forms. I know mine hasn't.
The Joy of Writing
I also find my writing to reflect some things that I really enjoy. It's scribbling, yet flowy, and reminds me a lot of my mother's handwriting on the notes she'd leave out on the table for herself as a reminder. I have attempted such reminders, but it only works if I remember to look for them. Naturally, my handwriting is also far harder to decipher than hers. I also love the way ink flows on paper, whether it be a ballpoint or gel, though I'm particular to a smooth ink. Pencils can also be a lovely experience, with a touch of toothiness that reminds you that you're physically sheering away a layer of pigment to lay on paper.
If you happen to enjoy a touch of colour in writing, it can be quite a delight to write in pencil crayon or fountain pen ink. I personally like fine-tipped felt markers. I periodically order a couple packs of the Zebra Sarasa vintage ink pens. They come in sets of 5 or so, and contain a suite of fairly standard colours, but deeper and more muted. These are far more economical than the clicky gel-pens I used to buy at the Waterloo bookstore to mark assignments or annotate my own work. What a delight it is to use a different colour on paper and see how variable (or invariant!) it can be. Different colours and strategic outlining can be so useful when narrowing down thoughts. Its like highlighters, but more subtle (on that note, I recommend Mildliners, I have some that are nearing a decade old and still function great without searing my retinas).
Then, there is paper. Receipt paper, cheap paperback paper full of disintegrating fibers, 100 gsm toothy watercolour paper, paper with films or coating for a smooth texture that renders them water resistant but prone to skidding, craft paper... there are so many options out there. I found that the numerous packs of 10 cent sheets that are sold in massive packs at Walmart at the beginning of the school year always treated me well. I certainly went through thousands of those sheets. My biggest gripe with them at the time was that they didn't come in a 5 mm ruling, and instead came in 7 mm. I find 7 mm exceptionally difficult to read on, unless the writing is quite slanted and flowery, in which the extra space helps each word stand out without too much overlapping between lines. Back in elementary school (and for some part of undergrad), I would either opt to write two lines per ruling, or just freehand the lines. I do not think my teachers were impressed by this. I'll come back to this later, but I eventually moved into notebooks within finer rulings or using a grid pad with 5x5 mm grids.
A Real-time(ish) Example and Things Elisa Likes
Right now (or when I originally drafted this post, see the photo at the top of the article), I'm writing on a discontinued 52 gsm Tomoe River paper notebook that has been printed over with a 3.7 mm grid. The binding of this notebook is excellent. I originally ordered this notebook years ago from Nanami Seven Seas and I think I got one of their cheaper offerings that had some defects, hence the lower price. Back then, the exchange rate of CAD to USD was also far more palatable as well. If you've ever read my personal blog, you'll know that I have a fondness for Hobonichi planner products which use the 52 gsm Tomoe River paper, and had been using them since 2018, but the paper is also now discontinued. Turns out there was only ever one factory that produced this paper and they had closed down. Oops. I believe the replacement is now Sanzen paper. Generally, I'm looking for incredibly thin paper that doesn't show through ("ghost") onto the other side too much so I can write on both sides, and carry around an enormous amount of paper with me at all times without adding too much weight to my already overfilled bags.
This notebook has several nice features, but I especially appreciate the ability to lay flat (due to the binding method) and the incredibly sturdy binding overall. It has been tossed around in the bottom of my bags for 7 months at this point, and I expect it to hold up for another couple of years. (AN: I'm noticing right now that it’s actually taking longer to type this up than the original writing, perhaps I'm a terribly slow typer! Or perhaps it’s just difficult to transcribe my own writing). I also peeked at the website, and apparently the notebook IS still available, as is the paper. Huh. Perhaps they had a huge back-stock or aren't concerned about the changes in paper quality and there certainly were changes. Mind you, the CafĂ© B6 slim that I have is currently unavailable, and it does state that it uses the new paper.
Paper Rankings
Let's say I've intrigued you a bit regarding paper, but you don't want to hunt down a discontinued old copy of the notebook I have. Here are some that I've enjoyed in the past and would happily repurchase:
- 1/2 year Stalogy notebooks in A6 or B6. These small pocket-sized notebooks use a similar binding technique that let you set the notebook fully flat. Because they can be a little small, you may have to push the pages down, but don't worry because the binding won't give out on you. The typical colours available year-round are black, red, and yellow. Limited edition colours are sometimes released. There is gold embossing along the spine for branding. I personally use the gridded paper version. It comes in 5 mm grid (or dot) and is the perfect size for doing math calculations by hand. What's not great about it if you get the printed grids is that they end quite far from the edges of the page, losing valuable writing space. On top of each page is also a calendar, lightly printed so you can mark in the date yourself. This too, takes up valuable writing space. However, one can certainly use it as a title section. I recommend the slightly larger B6 for actual writing or taking notes, and the A6 for more of a personal to-do list. The problem here is that its not always readily available in Canada, and there is quite a price bump buying it from a local business. I tend to do so periodically if I'm only purchasing one, but otherwise I'll get them straight from Japan if I am putting in an order for pens too.
- Mnemosyne. These notebooks are super sturdy, spiral bound, have a sleek black cover and are perhaps best used for on the go writing when you need a sturdy surface. For an unknown reason, there is a stunning strong yellow page in each one of these notebooks. I find it incredibly eye-catching. I have only used the A5 size from this brand. Regardless of the page design, the back side of each page is blank. The individual sheets are quite sturdy and thick, with a lovely soft cream colour that's really quite close to white. Each page tears out neatly with the microperforations. This notebook is for those who like a bit of heft, but appreciate a slim build to tuck away. Or if you like to doodle and write notes on a rickety subway line. They also take wetter inks and markers quite well, and I find that pencil crayons shade nicely on this paper. I usually use it as my base paper for sending letters because I find the paper so satisfying to hold in my hands. I imagine the recipients appreciate it too, though I've never confirmed.
- Muji notebooks. The ones in the 5 packs with different coloured spines. I used these extensively in my undergraduate studies. One notebook colour per class. And I'd just purchase more if I was short on them. The paper texture was reasonably nice and smooth, and the price was definitely right for something so customizable. I've checked, and there are no Mujis close by to my new place! Looks like I'll have to swing by on my trips to Toronto. There was something exceptionally charming about the Muji shop encouraging people to stamp their notebooks in store to customize them.
- Leuchtturm1917 notebooks. The paper quality of these is variable, but if you enjoy a thicker notebook cover and built in bookmarks, I recommend these. The cream colouring is excellent and easy on the eyes. These notebooks are A5-ish sized. Normally I'd argue that they're too large to be toting around. But since the cover is very stiff, it'll hold up against the other miscellaneous items rattling around in your bag no problem! It's also got an elastic to keep the pages shut to prevent dinging up and folding pages that might splay open. I found that these typically lasted about ¾ of a year for me. I do really appreciate that the pages are numbered if you like indexing your notes.
All of the above, except for the Muji notebooks, have a coating on the sheets that let ink float on top and show off fun features. It also means that text can take some time to dry before you can close the pages without smearing. I've also found that if your hands are a bit oily/sweaty, it can ruin the coating on the paper leading to a very blotchy writing experience. This seems to vary across all the papers, with the original Tomoe River paper having the least amount of ruined coating. Mnemosyne is also pretty great about staying consistent, but I don't do enough writing on it to actually test it out. It does seem like a lot to care about when I write it up! Nice writing experience aside, I feel like there are some good reasons to give writing by hand a shot:
- Improved memory of things you write down. I'm sure there are a few references kicking around for this. Have people done studies on typing as an equivalent? It does still take fine motor control to some extent (my motor control is less fine, if you ever hear me type, it sounds like I'm trying to destroy the keys).
- I imagine its generally good for the brain. Something about using both the more creative side and the fine motor control side at the same time. Perhaps there is also an equivalent perk when it comes to typing however, as stabbing at tiny keys can be quite difficult to do precisely!
- Processing of ideas, emotions, and the like. This mostly pertains to the value of journalling, but I also find it useful to write things out by hand when I’m looking for patterns. This can be notes on papers I’m reading, or a wrong variable in an equation I’m trying to track down.
- Bonus - talking to other people who love stationery! One of my new colleagues recognized the pens I was using, and we ended up connecting over the brands we use for writing. I've promised to bring in fountain pen inks to the office. I also remember one of the first meetings with the PVL lab I went to, John saw that I had a rather unique looking notebook! Stationery lovers can identify each other from a mile away I feel.
Discontinued notebook and paper aside, I also try to always have a booklet of regular letter-sized grid paper on a pad on hand. I find it super useful to work out problems, illustrate things to people if I don't want to check if the whiteboard markers are dried out, and mock up maps if there's some impromptu DnD about to happen. I used these extensively in undergrad for a while as an alternative to the Muji notebooks. I'd take notes continuously on the pad and flip them over so they wouldn't tear at the top, and just start a new page for each class I was going to. At the end of the term, I would compile all the sheets together.
I wonder if there are many students who bring paper and pen to class these days. I can see the value in not losing your notes by maintaining them digitally, but it is nice to be able to shuffle sheets around and see the entire class represented all at once. I remember I mostly brought in my laptop to read manga during lectures, and occasionally annotated power point slides as they became more common later in my degree. Rarely did I feel it was worth the battery power consumption to bring a laptop to class though. About half of my classmates simply printed out the slides and filled them in by hand, later transcribing them onto a digital copy. Doing things twice might seem inefficient, but I imagine it meant things stuck in their heads more.*
I'm at somewhat of a loss as to what I'm going to do after I finish up my stash of notebooks (I accumulated a few from Hobonichi with their blank/undated pages a couple years ago, though I don't love the book size). I recently purchased one from Knock Thrice which had a fun trim, but the notebook itself seemed far to heavy to be lugging around. Since I don't love having separate books for different things, unless it's meant to be very one-off, I think I'll have to go back to the Stalogy. Maybe with my next bulk purchase of the Zebra Sarasa since I'm down to one now, I think. With Tomoe River gone, possibly forever, I may truly need to move on.
On Pens and Friendships
In the past few paragraphs, I've been very "In my day...", but the the truth is that my stationery loving journey really accelerated when I found entire online communities that shared similar interests. Shortly after I had an explanation from my brother as to why he had a syringe in the bathroom that is (blunt-tipped, used to refill ink). He promised it was nothing nefarious, and gave me my first ever Platinum Preppy. Prior to that, I just periodically purchased rather pricey gel pens so that my hands wouldn't cramp when marking student assignments. After... well. Let's say I've been to pen meetups and regularly scope out stationery shops when I get the chance. The existence of the community has given me access to trying out pens that go for thousands of dollars MSRP, and sampling papers that I normally wouldn't have paid for, like those element themed bound notebooks that launched on a Kickstarter that I won during a giveaway that seems to have since vanished.
I found that the (fountain pen) community was incredibly generous and welcoming, regardless of what price point you could handle, or what it was you enjoyed. Whether it be 18 K nibs, custom grinds, cheapie beaters, urushi, or the history of pens and paper. I was encouraged to test things out, swap inks, and simply chat about whatever it was on our minds. The community at the time was fairly small, and it was interesting hearing perspectives on new developments. I tried to give back where I could, and essentially gave away a prized Platinum Century 3776 that I had initially purchased second hand from the US. I'm also a big fan of distributing Platinum Preppy and Pilot Kakuno pens, which I find to be excellent writers in spite of their price point. They are currently my preferred pens, though I have cracked several of them.
As it turns out, price does not correlate with quality when it comes to fountain pens. Typically, the writing end comes from one of a few companies, and the differences arise from the body of the pen. Urushi, a hand lacquring technique, is far more expensive than an injection mold. Explosive rods that were used for the gorgeous striping found in celluloid have been discontinued because...they are explosive. The technology for flex nibs seemingly has been lost over years. Pens with unique aspects tend to go for more than the standard counterparts.
Some of the modern “grails” (sub $200) I've tried out! I enjoyed the writing experience of the Platinum 3776, but the number of turns to uncap the pen drove me nuts. I've also had a Pilot Vanishing Point, and upgraded to a vintage body. Unfortunately, I didn't purchase a vintage nib along side it, and it doesn't cap fully when retracted, leading to a messy experience. I also tinkered with the nib and lost most of its tipping. Oops. I also tried out the gorgeous Lamy 2000. What a nightmare that was. I found one on sale with exactly what I wanted, an extra fine nib. Well, with such a huge tolerance for EF, it was decidedly not extra-fine. Furthermore, the makrolon body cracked after a few months, apparently a well-known defect the Lamy team hasn't resolved. I quite enjoyed the taper of the pen, but clearly it was not the one for me. I'm still eyeing a Waterman Carene, but the Platinum desk pen is actually an excellent replacement that is actually fine, and tapered. I've also acquired a "vintage" Pilot pocket pen that posts and turns into a light-weight rounded pen. It has an engraving on it that I've never bothered to translate, but it was most likely a graduation gift for someone at some point. The nib is slightly bouncy, and allows for excellent variation across a single stroke. But it doesn't open so wide that it would be classified as a flex pen. I like this one for urban sketching.
These days I use a mix of the Zebra Sarasa vintage pens and relatively cheap fountain pens (Platinum Preppy and Pilot Kakuno). I'm not too surprised if they crack in two years given my reckless treatment of them, but they last usually well beyond that length. I had a favourite Preppy with the most incredible nib last just over five years!
More Reason to Carry Around Stationery
Anyhow, I do feel it is well worth trying to write things using pen and paper. There's something about the inability to edit and simply scratching out mistakes that is incredibly satisfying. Having a notebook on hand also gives you the freedom to doodle during boring meetings rather than browse unrelated websites, which might be more obvious.
Related to writing, is also just drawing out your problems. I personally think my presentations are pretty decent! For the better ones, I almost always have something mocked up on paper first to show a story board. This is something I did for my defense (Fig. 2), and I had less than normal feedback on the specific contents and sequence of delivery as a result (I think). Instead, the feedback I got could focus on small details to really polish the final product (Fig. 3). When I start drafting something on Power Point (or equivalent software) right away, I often get stuck and feel uninspired, even if I have headers and points of what I want to present on each slide. Starting it out on paper feels more exciting and I can see the whole vision together with minimal distractions. No looking at my messy fingerprints on the screen, the annoying colour scheme of the software, or a reminder to log into my Microsoft account! Especially when I'm planning out a sequence that involves quite a long time to put together, I feel like its best to see it out on paper before the committing the several hours it takes to complete.
Figure 2. A draft storyboard in preparation for a defense. Elisa likes to think of them as movie scripts, with critical details in scenes shown as their own slides, and various arcs that need to be captured. The ellipses represent various content that are either methodology or results, which she likes to keep fairly simple, nothing too flashy. Some of these sections would borrow from previous slides, so any critical design elements didn’t have to be reproduced. The transition slides and ideas are shown on the far right. Key words are written in all caps for legibility.
Figure 3. Simple notes that Elisa took during her second mock defense regarding things that could be improved. These pages are a mix of suggestions in illustration and animation upgrades, and text that covers things she likely wants to remember or reconsider for before the final presentation.
Conclusion?
I don’t really have one for you. I wanted to share a love of stationery and encourage that readers seriously consider trying out writing by hand. Even if you cannot read your own handwriting, there is a lot of value to putting your thoughts on paper.
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*As a further aside, I lived in China for a year, and I recall the stationery there to be generally excellent unless you were purchasing scrap paper that was clearly quite rough and fibrous that was meant for practicing letters. Paper was pretty much always quite nice, regardless of whether or not it was cheap and had cute figures on the front. I definitely recommend purchasing random cute notebooks when in East Asia, generally everything is nicer feeling, even if it is cheap!












